From bra shots and long kisses, sanskaari edit board has spared India's profound quality once more

Your neighhbourhood bothersome close relative can't stand them, neither can the sanskaari blue pencil board. We are discussing unmistakable unmentionables. The board, headed by Pahlaj Nihalani, again demonstrated that it truly cherishes its scissors when it solicited the producers from Katrina Kaif, Sidharth Malhotra's Baar Dekho to cut a reference of Savita Bhabhi and a bra shot. It gives the idea that the edit board was worried about the possibility that that alluding to a grown-up vivified character (and called bhabhi!) and unmistakable innerwear would hurt our ethical quality.

Not that the Censor Board Of Film Certification (CBFC) has spared our sanskaars from the corrupted Bollywood interestingly. They have spared us from long unIndian kisses (Specter), practically spared us from medications (Udta Punjab) and now from noticeable bras (Baar Dekho). These are only some of their acts of kindness. The rundown of accomplishments of these do-gooders is long, long.

The Makers Of Baar Dekho Had A Whale Of Time While Shooting Sau Aasman!

Sau Aasman is undoubtedly a smooth sentimental melody which will make individuals become hopelessly enamored. The sentimental number was shot in the delightful areas of Thailand.

While the tune was being shot the cast and group of Baar Dekho had a ton of fun while shooting the melody.

The debutante executive Nitya Mehra has shot the tune wonderfully in the pleasant spots of Thailand. Nitya ensured the resonant tune and the wonderful areas are consistent to each other making the melody a musical and visual treat for the viewers.

Nitya likewise guaranteed that the cinematography of the melody is not nonexclusive and it has a traditional zone to it.

The tune was shot at the streets of Patong region, Phranang hollows and the excellent island of Krabi.

Baar Baar Dekho music review: Not much to look at

A sculpted Katrina Kaif gyrating to the song Kala chashma in the upcoming Dharma Productions venture Baar Baar Dekho has been finding much airtime and bandwidth for over a fortnight now. Ever since this three minute-piece arrived, with its groovy tones and drones, it’s hard to not give some pops and locks to one’s neck and limbs.
The repackaging of old compositions and rehashing of old patterns isn’t a new concept in Bollywood music. What’s interesting, however, in this version of Kala chashma is that composer Badshah hasn’t split the atoms from inside the tune, which almost a decade ago, made a star out of Punjabi singer Amar Arshi. He retains everything from the original composition — the tumbi preludes and interludes, the pace, the flow, the vibratos.


What he adds, apart from a super fun rap, however, is some swag, more rhythms, occasional yelps and a Neha Kakkar. She sings the female version of the song and kills it with her nasal tone, and by following the cadence that Arshi did, in turn hitting quite the smash here. A number that played at Punjabi weddings once with much aplomb, is a club favourite now.